Hale was born Anna Westcott Hale in Boston, Massachusetts, on May 6, 1908, to hilip Leslie Hale and Lilian Clark Westcott. Hale’s grandfather was he Unitarian clergyman, author, and statesman Edward Everett Hale, and er great-aunt was Harriet Beecher Stowe, author of Uncle Tom’s Cabin (1852). lthough her parents were both accomplished ainters, Hale pursued writing at an early age, publishing her first hort story, “The Key Glorious,” in the Boston Herald at age eleven. She eventually decided to ollow in her parents’ footsteps, however, and studied painting at the oston Museum School.
Her first marriage, to Taylor Scott Hardin in 1928, moved Hale to New York City, here she quickly became a writer and editor for Vogue magazine. Over the next decade, Hale stablished herself as a professional author, first writing nonfiction or magazines such as Vogue and Vanity Fair, then serving as the New York Times‘ first female news eporter.
During this period, Hale also worked to establish herself as a fiction riter, and in 1932 she wrote her first novel, The Young Die Good, which follows the lives of the ew York City “smart set” in the 1930s. Her short story “To the nvader” (1933) recounts a New England woman’s struggle to maintain er independence after she moves with her husband to Virginia, and it ypifies Hale’s regionalist style of writing.
Following her divorce from Hardin, in 1936 Hale relocated to Charlottesville with her second husband, Charles Christian Wertenbaker. As did her previous homes in New England and New York City, Hale’s new ome in the Virginia Piedmont found its way into her writing: she escribed the culture of the South from a displaced northerner’s erspective.
Hale divorced Wertenbaker in 1941 and married University of Virginia English professorin 1942. In that same year, Hale rote her best-known novel, The Prodigal omen, which demonstrates the author’s skill at depicting rdinary characters as they deal with the demands and difficulties of heir lives. During the period following her marriage to Bowers, ale became extremely productive—she boasted at one point that she was he New Yorker magazine’s best author, having old a record of twelve short stories in 1961.
As the wife of a senior professor at the university, Hale spent significant ime with the faculty members at the University of Virginia. She also ocialized a great deal with famed southern writerduring his time s writer-in-residence at the university. In her essay “Col. Sartoris nd Mr. Snopes” (1957), Hale describes her various interactions with he notably reclusive Faulkner using her typically keen observation of eculiarities.
Hale continued to write fiction for the remainder of her life. She penned two lays, which were produced at the University of Virginia; a biography f artist Mary Cassatt; a memoir of her life growing up in New ngland; the very popular The Life in the tudio (1969), a memoir of growing up the daughter of artists; nd late in her life, one children’s book and several short stories. uring the span of her writing career, Hale received an O. Henry Award, a Benjamin Franklin Award for short story authors, and a enry H. Bellamann Award for literature.
In addition to her legacy as a writer, Hale was also a founder of the Virginia enter for the Creative Arts, a highly selective “creative retreat” riginally located in Charlottesville, and now in Amherst, Virginia.
Nancy Hale died of a stroke in Martha Jefferson Hospital in Charlottesville on September 24, 988.
- The Young Die Good (1932)
- Never Any More (1934)
- The Earliest Dreams (1936)
- The Prodigal Women (1942)
- Between the Dark and the Daylight (1943)
- The Sign of Jonah (1951)
- The Empress’s Ring (1955)
- Heaven and Hardpan Farm (1957)
- A New England Girlhood (1958))
- Dear Beast (1960)
- The Pattern of Perfection (1961)
- The Realities of Fiction (1963)
- Black Summer (1964)
- The Life in the Studio (1969)
- Secrets (1971)
- Mary Cassatt (1975)
- The Night of the Hurricane (1978)
- Birds in the House (1985)
- Wags (1985)
- Those Raccoons (1985)
- The Best of Everything (1952)
- Somewhere She Dances (1953)